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| Werner Trieschmann |
Tell us a little bit about Disfarmer.
It’s a play that began as a commission from a new and exciting company, TheatreSquared, in Fayetteville, Arkansas. They were looking for plays about an Arkansas subject for their first New Play Festival. Disfarmer was a portrait photographer who worked through the Great Depression and World War II in Heber Springs, a relatively small town. Disfarmer died an obscurity but years later his work was discovered and he’s now considered one of the finest photographers this country has produced. Disfarmer’s story is fascinating on many levels. Perhaps the most intriguing part is that he changed his name from Mike Meyer to Disfarmer and put forth the story that he was picked up by a tornado when he was a baby and dropped on the doorstep of the Meyer family.
Now there’s a real Southern tale! Did he ever offer any explanation of why he did that?
Not that I have read or heard. The assumption offered by most people writing about Disfarmer was it was his way to distance himself from his farming roots and identify himself as an artist. I like to consider him an early and much more daring version of Lady Gaga.











