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Showing posts with label Off-Broadway. Show all posts
Showing posts with label Off-Broadway. Show all posts

Thursday, May 24, 2012

Congratulations to Kirsten Greenidge and Kristin Baker!


Kirsten (right) with Cherise Boothe, who won for her performance
in Milk Like Sugar (Photo: Cherise Boothe)

In an amazing week full of major events and honors, more terrific news: Boston’s own Kirsten Greenidge (her play The Luck of the Irish recently closed at the Huntington after a successful run) won an Obie Award Monday night, for her off-Broadway debut Milk Like Sugar. The play was a co-production of Playwrights Horizons, Women’s Project, and the La Jolla Playhouse.

Monday, April 2, 2012

Alumni news, in brief:

Cha Cha and Demonio serenade their friend Clem after Next To Normal. They are not normal, either.

Karen Zacarías' The Book Club Play will be part of the 2012-13 seasons at Cincinnati's Playhouse in the Park and at Rochester's Geva Theatre Center...

Monica Bauer is preparing for the Edinburgh Fringe (where her Made For Each Other will be part of the line-up) with the fundraiser Monica's Shorts at Urban Stages tonight. Can't make it? Good news: You can also contribute to the project online. And check out a very nice review of Monica's other current project, the off-Broadway production of My Occasion of Sin...

Wednesday, March 14, 2012

Previews to begin for Bauer's 'My Occasion of Sin' at Urban Stages this Friday


Monica Bauer’s award-winning My Occasion of Sin opens in previews this Friday at NYC’s Urban Stages. This off-Broadway production – which as already been extended(!) – represents the most recent leg of an adventure we have followed here. Tickets are available through SmartTix; Dramatists Guild members can use the discount code DRAMAP for $15 tickets during previews, and DRAMA1 for $24 tickets during the March 23-April 15 run.

And, of course, this kind of event means I had to torture Monica with some questions. Thanks for being a sport during such a busy time, Monica, and congratulations!


KAM: You’ve been working hard for this moment in your playwriting life – your Off-Broadway debut – for a long time, toiling in the off-off and Fringe worlds. What’s been the most exciting part about preparing for the Urban Stages production of My Occasion of Sin so far?

MEB: Casting is so crucial. It helps when there is agreement in the room, when the callbacks are over and decisions have to be made. I’ve been very lucky here, in that my director, Frances Hill, and my producer, Peter Napolitano, have agreed with me on every role. The day the cast is announced to the press is a special day; it’s the official kick-off to the production. So when the press release went out, I was able to see it go up on Broadway World and TheaterMania, and see the announcement of our cast and creative team bounce around the interwebs, and around various Facebook pages as actors announced to their friends, that was a moment when I really felt that we were on our way, on a good journey.

Wednesday, January 11, 2012

Off-Broadway debut for Bauer, with award-winning play at Urban Stages

Monica Bauer
My Occasion of Sin will mark Monica Bauer's off-Broadway debut with a production this spring at Urban Stages.

Here’s the official announcement:

Urban Stages is proud to announce its spring production of My Occasion of Sin by Monica Bauer – a play that was submitted during our 'Words By Women' Reading Series. 




1969. Omaha, Nebraska. Around town feet tap to new types of rhythms – to Soul, to Rock and Roll and, most of all, to Jazz! Mary and Vivian, two young girls from two different sides of town – the white side and the black side – vow to drink the jazz scene in for their own private reasons. Music seems to unite and uplift everyone around despite creed or color…that is, for a little while. Soon racial tensions grow louder than beats on a drum and the lives of the young girls are the first demolished. 



Previews begin March 16, with opening night set for March 21.

My Occasion of Sin received a workshop production at Omaha’s Shelterbelt Theatre last April. That production won two of Omaha’s Theatre Arts Guild Awards (one for outstanding script), and is currently nominated for an Omaha Arts and Entertainment Award (in the Best New Script category). The play was also was a finalist for The Abingdon Theatre’s (NYC) Christopher Brian Wolk Award in 2011.

Monica shared her account of
My Occasion of Sin’s “meandering” journey to production with us here.

Congratulations on the next stop on the journey, Monica! Road trip!

Tuesday, December 20, 2011

Alumni news, in brief:

Cha Cha Picante was in the house for opening night of Molly Smith Metzler's Close Up Space at Manhattan Theatre Club...




Lydia Diamond's Stick Fly made Bloomberg News' list of best shows of 2011...

Monday, December 12, 2011

Alumni news, in brief:

El Demonio Rosa and Cha Cha Picante high-five it on their way in to see Walt McGough's Priscilla Dreams the Answer...

One-act plays by Michael Parsons (House Rules) and Peter M. Floyd (Beleaguered), and ten-minute plays by Colleen Hughes (The Button) and MJ Halberstadt (Peggy's Properties) will be presented at KCACTF's Region 1 competition. The event will be held in Fitchburg in January...

Monday, November 28, 2011

Alumni news, in brief:

The Actors' Shakespeare Project's The Merry Wives of Windsor, directed by Steve Barkhimer, opens next week, and also features the talents of Richard Snee...

Jonesing for a Priscilla update (as in the upcoming Fresh Ink production of Walt McGough's Priscilla Dreams the Answer, featuring Emily Kaye Lazzaro)? Check out the show's production blog...

The cast of Zayd Dohrn's Outside People (a co-production of NYC's Naked Angels and the Vineyard Theatre, opening in previews Dec. 21) has been announced, and rehearsals have begun...

Monday, November 21, 2011

Alumni news, in brief:

Cha Cha Picante celebrates Deirdre Girard at her play The Christina Experiment...

A launch party and concert will be held at BPT to celebrate the publication of Dan Hunter's new book Iowa? It's a State...Of Mind on Nov. 22 at 7:30 p.m. The evening will feature delicious food by Sivika Pon Hunter, as well as book excerpts and songs written and performed by Dan Hunter. Please RSVP to attend. Books are also available for purchase online...

Monday, November 7, 2011

Alumni news, in brief:

Luchadore Cha Cha Picante in D.C. for Karen Zacarías' The Book Club Play...

Monica Bauer's My Occasion of Sin is a finalist for the Abingdon Theatre Company's Christopher Brian Wolk Playwriting Award... Urban Stages will also host a staged reading of the play on Nov. 21...

Thursday, October 27, 2011

Q&A: Zayd Dohrn on 'Want' and 'Outside People'


Zayd Dohrn’s Want opens tonight at Steppenwolf Theatre Company’s First Look Repertory of New Work, and in January his Outside People opens Off-Broadway in a co-production by The Vineyard Theatre and Naked Angels. Of course, we had questions for him…

KAM: Wow – you have a one play (Want) at Steppenwolf, and another (Outside People) opening Off-Broadway in January. I guess we could say this is shaping up to be a really busy fall and winter for you. How are you managing your time?
 
ZD: It’s been busy, but the timing worked out well. Right now I’m in the middle of rehearsals for Want. We open October 27 and run through November 20. Then Outside People rehearsals start two days later, so they’re close, but not completely simultaneous. Luckily, I don’t have to be in two places at the same time.

Wednesday, October 5, 2011

Un luchador en la ciudad

Este fin de semana pasado, el luchadore El Demonio Rosa tuvo un recorrido a pie de algunos de los teatros en Nueva York donde las obras dramáticas por dramaturgos de BPT (y nuestros amigos) aparecerá este otoño...

“Stick Fly! Viva Lydia!”

Monday, September 12, 2011

Alumni news, in brief:


Lydia Diamond's Broadway-bound Stick Fly (full casting announcement here) made Time Out New York's list of 20 theater shows to see this fall. Members of the extended BPT family Theresa Rebeck and Kirsten Greenidge also made the list, for Seminar and Milk Like Sugar, respectively...

Walt McGough is on a roll: Not only is the BPT production of his play The Farm one of Boston.com's critic's picks for the fall, his Priscilla Dreams the Answer has been added to Fresh Ink's winter calendar... 

Rosie Perez will join the cast of Molly Smith Metzler's Close Up Space at Manhattan Theatre Club in December...

John Greiner-Ferris' 'Turtles' will be part of Interim Writers' An Evening of Staged Readings on October 11...

Monday, August 22, 2011

Alumni news, in brief:

John Shea’s Junkie, produced by Argos Productions, opens this Thursday, August 25, right here at BPT…

Ginger Lazarus’ The Embyos will be part of Rhombus Playwrights’ fall reading series, at BPT in September…

The Book Club Play by Karen Zacarías opens at D.C.’s Arena Stage in October…

Michael Chernus has joined the cast of Molly Smith Metzler’s Close Up Space, which opens at Manhattan Theatre Club in December…

K. Alexa Mavromatis’ ten-minute play ‘Jinxed’ (a 2011 Heideman Award finalist) will be included in the forthcoming Smith & Kraus anthology 2012: The Best 10-Minute Plays…

Monday, July 25, 2011

Dohrn's 'Outside People' set for world premiere Off-Broadway


Alum Zayd Dohrn’s play Outside People will receive its world premiere – a co-production of the Vineyard Theatre and Naked Angels – at the Vineyard Theatre, starting in December 2011. The play was developed in Naked Angels’ ‘Angels in Progress’ series, and the production will be directed by Evan Cabnet.

Synopsis from the Naked Angels Web site: A dark, comic look at China-U.S. relations – economic, political, and sexual. In modern-day Beijing, a young American guy falls for a Chinese girl and then struggles to understand where she’s coming from. A play about loneliness, culture-shock, language, and trying to make connections across borders.

For more information, visit www.vineyardtheatre.org or www.nakedangels.com.

Saturday, June 25, 2011

Come and meet those dancing feet



A day that started at Jerusalem (Go – seriously!) ended here: Theatre 80 St. Marks on the Lower East Side. Well, sort of. I was walking by, and couldn’t help but smile at the sight of hoofer Ruby Keeler’s footprints in the cement. Just look at how my enormous foot (size ten, yep) has the power to dwarf even a Broadway giant! Or, at least, the footprint of a Broadway giant.

Also in front of the theatre are footprints and hand prints of Joan Blondell, Joan Crawford (…the hands that held those wire hangers!), Gloria Swanson, and…Dom DeLuise(?!) among others. Hmmm. You know me. Stumbling across things like this can mean only one thing: Google Party.

As a venue, Theatre 80 St. Marks – not unlike so many of us theatre people – has been reinvented again and again to survive the ever-changing times. It's been a speakeasy, a Jazz club, an Off-Broadway house (where You're a Good Man, Charlie Brown opened), and, in the 1970s and 80s, a movie house that screened classic films. It eventually re-opened as an Off-Broadway theatre, as the long-time home of the Pearl Theatre Company; today it hosts magic shows, fundraisers, and music and dance events. Read more about this intriguing NYC landmark here and here. I love, love, love discovering things like this.

But, back to those feet. From what I gather, the Keeler prints are from the period when the Theatre was operating as a movie house and Keeler was starring in the Broadway revival of No,No, Nannette. And to celebrate all this new found trivia: Writers, here is Keeler (with Lee Dixon) tapping on a gigantic typewriter in Ready, Willing and Able (1937). Fabulous!


Friday, May 27, 2011

Metzler's 'Close Up Space' to premiere at MTC

Molly Smith Metzler
Molly Smith Metzler’s play Close Up Space will receive its world premiere in December at Manhattan Theatre Club, starring Michael Chernus and David Hyde Pierce.

Synopsis from the MTC Web site: Tony and Emmy Award winner Pierce will play Paul Barrow, an obsessive book editor on a major deadline. With an assistant who’s been camping in the office (Chernus), a famous author threatening to bail on him and an intern who is no help at all, Paul’s just about had it! But when his fiery daughter shows up and lambasts him in Russian, Paul faces a glaring personal error that can’t be corrected with red ink. Leigh Silverman (Well, In the Wake, From Up Here) returns to MTC to direct this funny and poignant new play about how hard it can be to communicate…in any language.

Earlier this spring, Molly's play Elemeno Pea (which she talks about here) was a hit at the Actors Theatre of Louisville's Humana Festival of New Plays.

What a MASSIVE year – go, Molly, go!

Friday, May 6, 2011

Cinco de mayo: LBD opens in NYC

Bostonians past and present celebrate Little Black Dress with Ronan on opening night

Thursday, May 5, 2011

LBD in NYC: Q&A w/RLN

Ronan Noone’s Little Black Dress (which debuted at BPT last season) opens Off-Broadway in a production by The Exchange tonight. Get tickets here. Of course, we couldn't let the event pass without convincing him to answer a few questions for us.


American pop culture as metaphor is central to Little Black Dress. Was that challenging, particularly since you are not originally from this country? What made you settle on the icons you did (the little black dress, Grace Kelly, Frank Sinatra)? Have those choices evolved/changed during the lifecycle of the play?

Those choices have not really changed, if anything they have become even more embedded into the content of the play. But it does make sense that you see American pop culture as metaphor in the play, because I see the play, ultimately, as an emigrant play, with Amy representing the emigrant, Jimmy Jr. is the family left behind, Jimmy Sr. is Ireland, and America is the Gigolo. And I don't mean to be derogatory with this symbolism in any way. It is only recently I understood where this play was rooted. I am trying to capture the mixed, frightening, challenging, upheaval of emotions an emigrant feels when they leave their original home behind.


What lessons did you learn working on the BPT production of Little Black Dress last season? In preparation for the play’s production by The Exchange, were there particular aspects of the script you knew you wanted to address?

The BPT production allowed me to work out the kinks during rehearsal, to cut, add and create as we came closer to opening. In truth you can cut, add, and create all you like in a reading or in your writing room but there is nothing like having it on its feet, and actors aware that an opening night is only a couple of weeks away. There is a superb clarity and focus with that awareness. You don't have that time in New York. I have never found New York suitable towards workshopping or on the feet adaptability. In New York, I tweak the play. But I’m lucky -- BPT lets me create the play I want and gives it the production I envision.

Wednesday, April 13, 2011

LBD in NYC: Update

As reported in this space last fall, our very own Ronan Noone’s Little Black Dress (which debuted at BPT last season) will open Off-Broadway at The Exchange next month. The production is helmed by The Exchange’s Artistic Director Ari Edleson, who also directed the production here. The play is beginning to get some press, including this blurb from Theatermania and a longer article on OffBroadwayWorld.com.

Ronan has promised to keep us all in the loop as the play nears opening, and had this to say: Tuesday [April 5] was the first day of rehearsal and due to all sorts of madness I couldn't be there so I was Skyped in. I strained to hear a third of the play before the Skype blew up and I got to hear the rest of the play through iPhone on speaker. Regardless of the ingenuity on board here, I could tell the changes I made to the piece didn't work. In truth, I sensed they wouldn't work. All along the way I found the play pushing back at my attempts to clean it up.

Ronan has been very candid about LBD's wild -- and fascinating (if you're not the playwright living through it!) development history; I, for one, can’t wait to see the next step in the evolution of this terrific play.

Get tickets here.

Wednesday, October 27, 2010

Plays by Noone and Bauer slated for productions in NYC

Ronan Noone’s Little Black Dress will be produced Off-Broadway in May 2011 by The Exchange. Little Black Dress received a workshop production at BPT last season; read more about the play’s intense development history here, in Ronan's program note.


Off-Off-Broadway, Monica Bauer’s Balls: The Testosterone Plays of Monica Bauer, features two short plays about men, ‘Two Men Walked Into a Bar’ and ‘Made for Each Other’. The plays will run Nov. 19-Dec. 5 at the Workshop MainStage Theatre. For more information, visit www.TheatreWithBalls.com.



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